American River Review reading October 4

Join us as we celebrate in verse with the poets of American River Review, the award-winning literary journal from American River College. Gold Medal winner of the Columbia Scholastic Press Association and finalist in the Associated Collegiate Press Pacemaker contest, the A.R. Review encompasses a wide range of creative work including oil painting, photography, poetry, digital art, fiction and more. From start to finish, students decide the what and the how of the magazine. This reading will showcase the "best of the decade" - poets who will be featured in the upcoming 2011 issue!

Reception at 7:00pm
Reading at 7:30pm
Hosted by Bob Stanley, Meagen Youngdahl and Toshi Casey

Introductions by Toshi Casey, ARR 2011 Editor-in-Chief
Ryan Cicak - Poetry
Greg Sabin - Poetry
Viola Allo - Poetry
Nathan Feutz - Poetry
Marilyn Wallner - Poetry and Nonfiction
Toshi Casey - Poetry
Eric Myers - Poetry
Meagen Youngdahl - Fiction
Judith Ryan - Poetry
Candace Coulombe - Poetry

Tule Review Submission Guidelines

Tule Review: New Submission Deadline October 30, 2010!

The Sacramento Poetry Center welcomes submissions for the winter Tule Review - now 50-60 pages and perfect bound - with an anticipated publication date for January 2011. We consider poetry of all styles and forms from both local and far-flung places as long as the poems are strong and well crafted.

For our September 15 changes to the submission guidelines and the address for sending your work, click the following link:

http://www.sacramentopoetrycenter.org/tulereview.htm

Poetry Sept 13, 16, Fundraiser Sept 17

Monday Sept 13 at 7:30 pm
CJ Sage and JP Dancing Bear read at SPC (25th and R)
Followed by a talk about Small Press Publishing
Hosted by Valerie Fioravanti

Thursday, September 16
Michael Luis Medrano, reads for a Mexican Independence Day reading
presented by Escritores del Nuevo Sol/Writers of the New Sun.
at La Raza Galeria Posada, 1022-1024 22nd St.
Free (donations welcome)

Friday Sept 17
A Benefit for Haiti's University at the Newman Center
Featuring Yves Voltaire, University Rector
5:45 pm at the Newman Center (Carlson between H and J)
Potluck dinner - drinks will be provided

Here comes September – a few poetry events you might want to consider

Sept 6, Monday
Monday at 7:30pm at SPC – 25th and R
Tim Hernandez and Maceo Montoya
Hosted by Tim Kahl

Sept 8, Wednesday
(note – this event is second Wednesday this month)
Sacramento Room Wednesday Reading – Poets featured in Sixteen Rivers Press Anthology
6 to 7:30 at Sacramento Room, Central Library, 828 I Street, Second floor

September 13
Monday at 7:30pm at SPC – 25th and R
J.P. Dancing Bear and CJ Sage, hosted by Dorine Jennette

September 16, Thursday
Bring a favorite poem to read to Brown Bag Poetry at the Central Library
828 I Street, 12 noon
Hosted by Mary Zeppa and Lawrence Dinkins

September 18, Saturday
Lawrence Dinkins and Ross Hammond celebrate the release of electropoetic coffee
Luna’s Café 1414 16th Street $10-general admission

September 20
Monday at 7:30pm at SPC – 25th and R
2010 Calaveras Station Literary Journal reading
Hosted by Trina Drotar

September 27
Monday at 7:30pm at SPC – 25th and R
Mark Statman and Kurt Brown
Hosted by Tim Kahl


for more details, or information on more events, go to

www.eskimopie.net or

www.medusaskitchen.blogspot.com

The Londonberry Salon reads

The Londonberry Salon showed up at the Sacramento Poetry Center on August 23, 2010. The salon was responsible for putting out The Larkfield Review in 20o9 which was edited by husband and wife team Greg Randall and Toni Wilkes and featured four poets: Shawn Pittard, Mary Petrosky, Roy Mash, and Christina Hutchins. These four poets were the featured readers, introduced by Randall and Wilkes, on this night at SPC.

Why I Don't Write Confessional Poetry

So many laws argue so many sins — Milton, Paradise Lost

When I was nineteen, I confessed my sexual indiscretions to an eighty-year-old High Priest — a Latter-Day Apostle — who wrote them all down on a long, yellow pad. He meticulously transcribed each incident, by category, while asking clarifying questions. Was that you on her? Or her on you? His Mont Blanc scribbled furiously.

Below a painting of the blue-eyed Jesus, praying desperately for His own deliverance in Gethsemane, I could taste the contents of that bitter cup.

The old man pushed a box of Kleenex across the cluttered desktop. Sometimes, he said, people show sorrow for their sins. The second hand ticked on the wall clock. Basketballs bounced on the hardwood floor down the hallway — Church League. He nodded toward the white tissue with a thin smile of encouragement. It's a matter of excommunication.

Lot's wife was told do not look back or she would be turned into a pillar of salt. Some days, I can feel the heat of that burning city in the middle of my back — as I walk, and walk, and walk away.

— Shawn Pittard

Alberto's Love Song

When Lena turns,

rises slowly onto her toes

above the other young women,

Alberto is mesmerized

by the arc of her calves

through yellow cotton, by

her stillness, this cactus flower

barely open to the sun amid red

poppies whose flutter and nod

tantalizes the passing Sunday crowds.

Again and again, he watches Lena

glide from her canvas-covered soles

to point. Each time catches

the quiver of her jaw

just as she breaks

pose and slides down

into the bevy of skirts.

He know how small

is the gate to vulnerability.

Knows Lena is a thorn bird,

weaves her nest into a dome

of barbed twigs. He doesn't

mind getting his hand pricked

coaxing her

out, little camastero

he can make fly.

—Mary Petrosky

Pinkie

here's my pinkie finger

weakest of any

I use it

for entering small places

nose holes eye nooks ear mazes

incorrigible pansy

scrupulous peon

immaculate pal o' mine

always at the end of things

like an aisle seat

always coy always

the lilting one

junior partner of the firm

the one who attends to the details

itself a detail

daughter I must leave out

of the boy scout salute

who flirts with my thumb

when I'm nervous

definitive unit of etiquette

meticulous imp

ultimate runt

I've tried to teach it guitar

make it type

play golf

karate

it's useless!

It wants to be insignificant or nothing

to know at the end no one

have no one

know it

unfamous as a thread

ninny of my care

stick without width.

—Roy Mash (first published in miller's pond)

A Way Back To Life

From Russians I learned never to shake hands

across a threshold, but a half-hour after

rising, I return to set my cool hand into the bed

where a river of a dreamheat lingers, the still-warm

flank of our horse's dark gallop.

To make sure it was me they got, my parents

put up all night with a mockingbird

perched aloud in one of three liquid birches

a handspan from their open window. Do you

I'd make that up? Ask me,

and I might tell you the joke that rolls

like a yellow marble from all that I have made.

A cloak of lightning around my shoulders,

I can slip like a drumbeat into the actual world.

If only making love did not

also make loss. If only a curtain call

and the dead lifted their bodies,

lithe. From the surprise taxi emerged a child

beautiful in her buttoned coat, but on the stones

even her small feet sang

the terrible clatter. You have suggested we

take the floating trip, meaning, perhaps, without

formal destination. Will you bury your head

in the softness of my belly where old

yearnings still sleep? Continent

to continent, homeless and without

fixed beliefs, perhaps a large part laughter,

there is nowhere loss will refuse

to take us. I have decided to trust

the late night horse and its riders.

—Christina Hutchins (first published in The Missouri Review)

All poems were published in The Larkfield Review 2009 and were read on August 23, 2010.

The Londonberry Salon
with
Shawn Pittard, Christina Hutchins, Gregory Randall, Toni Wilkes, Roy Mash, and Mary Petrosky
Monday, August 23 at 7:30 PM
Sacramento Poetry Center — 1719 25th St.
Crossroads for the Arts at 25th and R Street

About the Larkfield Review:
from editors, Gregory W. Randall and Toni L Wilkes

In June of 2009, our desire to provide space for local or regional poets manifested itself in an inaugural volume of The Larkfield Review. The anthology featured four poets who read for the spring Poets We Know Londonberry Salon. The criteria was simple: to bring together friends and acquaintances laboring away at the craft of poetry who had not yet had the opportunity to publish a full-length manuscript of poems.

In the end, we brought together Shawn Pittard’s luminous imagery springing from everyday experiences in the Sacramento Valley and foothills with Mary Petrosky’s re-imagined histories and lives of figures in old Argentine photographs with Roy Mash’s playful and humorous take on objects we so often take for granted–fingers, playground antics–with Christina Hutchins’ shimmering lyricism weaving together love and the realm of nature, a weave that “blooms and revises the world.”

Shawn Pittard is the author of These Rivers—a chapbook of poems from Rattlesnake Press. His poems have most-recently appeared on-line in Convergence and In Posse Review, and in print in the North American Review. He co-wrote a screenplay, Junk Sick, with his brother, Trent, and divides his time between his home in Sacramento, California and his family’s cabin outside Flagstaff, Arizona.

Christina Hutchins teaches poetry and Whitehead’s philosophy at Pacific School of Religion in Berkeley. With degrees from UC Davis, Harvard, and Graduate Theological Union, she has worked as a biochemist and a Congregational (UCC) minister. Her poems have appeared in Antioch Review, Beloit Poetry Journal, Denver Quarterly, The New Republic, Prairie Schooner, Salmagundi, The Southern Review, and The Missouri Review. She has won the 2010 Annie Finch Prize of The National Poetry Review, the 2010 Robin Becker chapbook prize of Seven Kitchens Press, the 2009 Missouri Review Editors’ Prize, the Villa Montalvo Poetry Prize, and she has received two Barbara Deming Awards for Women in Poetry and was selected by Robert Hass for a fellowship to the Summer Literary Seminars in St. Petersburg, Russia. Christina is the Poet Laureate of Albany, CA. The Stranger Dissolves was chosen by Sixteen Rivers Press for publication in early in 2011.

Gregory W. Randall majored in English and Latin at St. Olaf College and spent innumerable hours in the music library.

Mark Doty selected Double Happiness for the 5th Annual Camber Press Chapbook Award for 2009. His chapbook A Room in the Country will be published by Pudding House Press in 2010 and Uncommon Refrains is forthcoming from The Lives You Touch Publications. Greg also received a 2009 Pushcart Prize nomination, and his chapbook Blue Water Views was recently accepted by Finishing Line Press.

First published by The Pedestal Magazine, his poem “Confessions of an Apothecary” has been nominated for a Pushcart Prize. He is a recipient of a Dorothy Sargent Rosenberg Prize for 2008

His recent work appears or is forthcoming in The Bitter Oleander, CQ, Cream City, GW Review, Louisiana Literature, Louisville Review, Pedestal, Rosebud, Southern California Review, South Carolina Review, Sow’s Ear, Stand, and other noted journals.

Greg owns a financial planning practice with his wife Toni Wilkes in Santa Rosa, CA. []

Prior to relocating to Northern California, Toni L. Wilkes was a freelance screenwriter and fulltime story editor for feature film director Peter Hyams in Los Angeles. She is now a member of the California State Poetry Society and the Marin Poetry Center. Wilkes serves as a board member for the Sonoma County Library.

Wilkes is the author of Stepping Through Moons (Finishing Line Press, 2009). Her work appears or is forthcoming in California Quarterly, Confrontation, Cream City Review, Folio, GW Review, Hayden’s Ferry Review, Healing Muse, In Posse Review, Iodine Poetry Journal, Pinyon, Poetry East, Roanoke Review, Rosebud, Southern Humanities Review, Sow’s Ear Poetry Review, Touch: The Journal of Healing, The Texas Review and other noted journals. She lives with her husband, Gregory Randall, in Santa Rosa, California where they own a financial planning practice.

Roy Mash is an electronics technician living in San Rafael. He is currently co-chair and webmaster for Marin Poetry Center. His poetry has been published in Agni, Atlanta Review, Barrow Street, The Evansville Review, Nimrod, Poetry East, Rhino and Two Review among others.

Mary Petrosky received her MFA from Antioch University, Los Angeles, and is a member of the Squaw Community of Writers. Her poems have appeared in literary magazines including Blackbird, Calyx, The Comstock Review, Tattoo Highway, Kalliope, and the Metronome of Aptekarsky Ostrov (published in St. Petersburg, Russia), as well as anthologies such as Above Us Only Sky: An Anthology of Atheist Poetry, The Larkfield Review, and Tweets from Arctos Press. A freelance technology writer, Petrosky lives in San Mateo, CA.

SPC to feature Zimbabwean novelist/poet Chris Mlalazi and renowned US poet, Ron Slate

October 11 is a big hosting day for me and SPC, when I present the Mlalazi-Slate double feature. Chris Mlalazi, a Zimbabwean novelist, has written and published poetry and plays. He usually reads his short prose, but on this day he will also share some of his poetry. I have known Chris through the internet for a long time, and on July 31st, I had the priviledge to share the stage with him on Los Angeles, when Eso Won Bookstore co-featured us. We read our proetry and prose and launched the recently published short story collection, "African Roar", which I co-edited with South Africa-based Zimbabwean writer, Ivor W. Hartmann. I am very happy that Chris will be reading at SPC. Below are some details:

Villa Aurora’s 2010 Feuchtwanger Fellow, Zimbabwean writer Christopher Mlalazi’s two books, Dancing with Life (2008, amaBooks), a collection of short stories, Many Rivers (2009, Lion Press, Ltd., UK), a novel, and his latest play Election Day (2010), deal with the social and political disintegration of his native Zimbabwe. In 2008 he was co-awarded the OXFAM NOVIP PEN Freedom of Expression Award at the Hague, which he received with Raisedon Baya for their play The Crocodile of Zambezi. The Crocodile of Zambezi (2008), a satire of the Mugabe regime set in a fictional country along the Zambezi River, was officially banned and members of its cast and crew were harassed and beaten by state agents. Christopher Mlalazi’s work has received numerous honors and awards, including the ‘2009 Best First Published Creative Work, National Arts Merit Award in Zimbabwe’ for Dancing with Life: Tales from the Township, which also received the NOMA Award Honorable Mention(UK) in 2009; Many Rivers was shortlisted for the 2010 National Merit Award for Most Outstanding Book of Fiction. He has also published poetry in several international anthologies. Mr. Mlalazi has completed a new novel while in residence at Villa Aurora.

Tule Review needs poems for next issue

Call for Submissions!

The Sacramento Poetry Center welcomes submissions for the winter Tule Review - now 50-60 pages and perfect bound - with an anticipated publication date for January 2011. We consider poetry of all styles and forms from both local and far-flung places as long as the poems are strong and well crafted.

Submission Deadline: September 30, 2010.
As of June 16, 2010, we have changed our submission guidelines.

For our new complete Submission Guidelines, please click on the link below:

http://www.sacramentopoetrycenter.org/tulereview.htm

MICHAEL PAUL and TAYLOR GRAHAM Aug. 16, 2010

Michael Paul came down from the foothills to read some poems from his big black book. The following was one of them. This poem is one he wrote a long time ago for his current girlfriend (which Paul admitted she still doesn't like . . . but he does).

HE BEING DEAD YET SPEAKS, PIPES, WRITES

Listen:

Lessons in bone.

Jazzman lifts brass, like knife riffing

Filigrees of sadness, sonic scrimshaw,

Upon tiny hammers, anvils, stirrups, all

The smallest ossicles of this

Benighted head

Bowed head

Bowed head. Eyes burn.

Listen:

My love comes,

Kittenlike,

Bearing gifts. Four roses odorless

And still as newly killed mice.

Lays them out like my heart

At her feet

With the news of her leaving.

Alone now,

Taking all the wine dark lines

Of haunted face

Written by the blind luck draw

Of double helix,

Scribed by horn

(Not ax, but knife)

Now sharpened

On the castanet clatter

Of my loves knocking

My loves leaving. I raise

A toast,

A cup of gladness

Turned to vinegar and gall,

Put four roses in it:

The color of memory

The complexion of time

The shade of solitude

The hue and pattern of

The chiaroscuro coloratura

The jazzman scratches on my bones.

Listen: I will

Raise a toast to the woman

Whose tuition though bitter,

Costly as a mouthful of ants,

Is the unwilling dues

I pay to hear

All the way to my bones,

That hard bought beauty

Of the blues.

Then Taylor Graham read from Walking with Elihu: poems on Elihu Burritt, The Learned Blacksmith. The following is an excerpt from that book.

A GOOD LONG WALK

One of my motives . . . was to look at the country towns

and villages on the way in the face and eyes.

— Elihu Burritt, A Walk from London to John O'Groats

For two minutes and forty-five seconds

the Ron Horse stands waiting

in the harness at the station, trembling with impatience

of metal and steam; a snort,

a roar as he plunges into dark passages

under the city. Who could

catch his breath, as he's hurled through a tunnel

under paved streets and church vaults?

Then, re-emerging into daylight, those deranging

glimpses of tenements and black-throated

chimneys, children trying to

make-believe in backyards eight feet square;

and wicked boys flinging dead cats —

You won't travel that way.

Seven hundred miles by footpath —

you'll take your time

through pasture and yellow field,

see pied cows ruminating in noon shade,

and hear the song of bees.

You'll pass the time of day

with a hundred pleasant greeting:

a farmer at the stile,

reapers with scythe or sickle

across the hedge. It will be a good

long walk.

A healthy open mic followed afterwards with Lawrence Dinkins (NSAA), Moira Magneson, Hatch Graham, Wendy Williams and others.

POETRY READING ON MONDAY, AUGUST 16

Join us on Monday, August 16, as Taylor Graham reads from her new book and Michael Gregg Paul returns to the poetic stage. Reading starts at 7:30 p.m., 25th and R. Refreshments. Free. Please listen to capradio.org at 10 a.m. on Friday, August 13, to catch the interview with Taylor Graham.

Taylor Graham has been a volunteer search-and-rescue dog handler for many years. Her book The Downstairs Dance Floor was awarded the Robert Phillips Poetry Chapbook Prize, and her newest, Walking with Elihu: poems on Elihu Burritt, the Learned Blacksmith, is just out. For a recent article on Taylor in the Sacramento Bee, visit http://www.sacbee.com/2010/06/02/2791845/poets-fascination-with-elihu-burritt.html. She will be featured on capradio.org at 10 a.m. on Friday, August 13.

Michael Gregg Paul is author of 6 chapbooks; co-editor of two poetry anthologies in national distribution; sometime journalist; award winning visual artist in several media; and once-upon-a-time garage band drummer. Michael Paul's poems have appeared in a number of literary journals including Spillway, Pearl, Blue Satellite and The Valley Contemporary Poets Anthology. Michael's next volume of poetry, "Dog Whistle Politics," will be released in the fall from Lummox Press.


Two Poems by Taylor Graham from her new book:

A Ship Goes Aground off Nantucket

based on Elihu Burritt’s “A Child’s Question”

Fifty-four Forty or Fight! It looks like war,
United States against the Motherland.
And off the coast of Massachusetts, Mother
Nature brews a storm.

Against the wind, British sea-men
wrestle down their sails.
But still, their ship
wrecks on the shoals off Nantucket.

Merchants and whalers, good Nantucketeers
rope themselves in, throw themselves
into the waves to save foreign sailors
from a common foe and friend, the Sea.

Now observe this English mariner
shivering and drenched,
wrapped in Yankee
comforters and warmed with tea

as a small child asks
her father, isn’t this the enemy
we wish to go to war
to kill?

Fluency

I felt somewhat astonished that my countryman, who was said to be master of fifty languages, had to get some one to read his speech in French.
- William Wells Brown at the Paris Peace Congress, 1949

It’s one thing to decipher Nous connaissons
la vérité so Pascal’s words make English sense.
Harder to compose your own thoughts
into French that a Parisian might grasp.
Beyond that, what genius, to turn correct grammar
into phrases that move intellect and heart?

But how ticklish, without language-labs,
to speak your lofty words out loud,
to master accent and emphasis; inflection
and the affective pauses.

Elihu, even with quick-and-easy travel tapes,
I can’t get my mouth around
the word for “no” in Greek.
My Spanish will not romance its “rr”s
with a trill of the tongue.
In French, my nasals sound like whining.

At the Peace Congress you gave up
your script to a Frenchman,
believing your sense and phrasing, in his
fluent mouth, might better fire
the world
to your passion.

The Sacramento Poetry Center welcomes all styles of strong, well-crafted poems for the winter Tule Review—now 50-60 pages and perfect bound with an anticipated completion in January 2011.

Seeking Submissions for the winter Tule Review

Submission Deadline: September 30, 2010

Please note: As of June 16, 2010, we have changed our submission guidelines.

Submission Guidelines:

• Include no more than three poems, maximum 96 lines per poem.
• Include three (3) copies of each poem
• Include the following information at the right-hand, top of each page: your legal name, name used for publication (if applicable), e-mail address, phone number
• Poems continuing onto a second page should be indicated as follows: "Title of poem, page 2"
• Also, indicate if there is or is not a stanza break between the first and second page: (stanza break) or (no stanza break)
• We do not accept simultaneous submissions, but sometimes consider previously published poems. If previously published, note the name and date of prior publication on the page below your poem.
• Include a 12x9 SASE envelope with your submission (ensure sufficient postage for return of your work) which we will use to 1) notify you of decline and/or 2) return your poemsand/or 3) mail you your contributor copy of the finished publication (if your poem(s) are selected for inclusion).
• Mail your submission to: Sacramento Poetry Center | c/o Tule Review | P.O. Box 160406 | Sacramento, CA 95816
• If your poem(s) are accepted, you will be notified via email (or via US mail if you do not have an email address). We will, at that time, ask you to submit an electronic version of your poem(s) as well as a short, five line bio.

VS Chochezi and Rob Anthony at Sacramento Poetry Center August 9, 2010

Rob Anthony started the evening off with an assortment of poems that skillfully bridged the gap between acting and the written word. His poem "I, Poet" and his seasonal cycle on "winter" and "the summer fling" produced the most audible gasps from the audience.
During a collaborative piece about no two bodies being able to occupy the same place which featured both poets standing back to back and alternating recitations, Anthony's and Chochezi's eyes lock
VS Chochezi performed her mix of political poems and personal statements of faith. She even let a love poem sneak in there (though she let everyone know that usually such poems are not meant for sharing). She left the stage with the audience considering the nature of the godhead from the tripartite God of the Christian faith to the orixas of the Yoruba tradition. As she left the stage, she let out a plea to "Free Mumia".

Salvatore Salerno and Tim Kahl at The Barkin' Dog Grill in Modesto, CA on August 10, 2010

The Poetry reading series in Modesto hosted by Gillian Wegener at The Barkin' Dog Grill featured Salvatore Salerno and Tim Kahl on August 10, 2010.

There was good turn-out and a pretty good-sized contingent participating in the open mic.

So the next time you pass through the Modesto area on a second Tuesday and travel beneath the beloved Arch with its motto — Water, Wealth, Contentment, Health — stop by the Barkin' Dog Grill for the Papa Burger, a milkshake, and some poetry.

Wednesday August 4th 6pm at the Sacramento Room: By Heart

Judith Tannenbaum will read from the dual memoir:
By Heart: Poetry, Prison and Two Lives.

Don't miss a chance to hear her work, as well as the work
of Spoon Jackson, her co-author, who is serving a life sentence in the
California prison system.

6pm at the beautiful Sacramento Room - 2nd floor Central Library
828 I Street!

Tule Review Reading

Thanks to all for a great event - over 70 attended the August 2 celebration of
the new Tule Review. Most of all thanks to Editors Linda Collins and Theresa McCourt!

Summer 2010 Tule Review Reading

The Summer 2010 Tule Review reading took place on Monday August 2, 2010. It was a packed house; over 70 people were in attendance. It featured 13 readers who came from Northern California and beyond to participate.

Editors: Theresa McCourt and Linda Collins

Gillian Wegener

William O' Daly

Lenore Myers

Allison Meraz

Kathleen McClung

Katie McCleary

Devi Sen Lasker

Penelope La Montagne

L.A. "Lisa" Jones

Taylor Graham

Susan Flynn

Margaret Duarte

Naomi Benaron

Tonight at SPC

Tonight Monday July 26 - don't miss an evening of poetry with
Dorine Jennette Urchin to Follow
and
Rob Schlegel The Lesser Fields
7:30 at SPC


This Friday July 30
Valerie Fioravanti presents Stories on Stage

Aug 2 - Monday - Tule Review Reading

Advance notice - two new classes at SPC Wednesday evenings this Fall:

Kathryn Hohlwein - Homeric Imagination - The Odyssey
Six Wednesdays from Sept 8 to Oct 13

Rae Gouirand - writing Creative Nonfiction
Wednesday evenings beginning October 20

Sactown Poetry Bands - Bravo!

Thanks to Frank Graham and all the musicians and poets who performed last night at the first ever Sactown Poetry Band fest. From Jennifer and Mike Pickering at the opening, to Anna Marie and Fo Shang at the close, this was one evening of great music, poetry, and fun. Who thought we'd be sitting under a midnight moon, in mid-July in the R25 parking lot, grooving to Vincent Kobelt's amazing ensemble. Thanks to all - Robert Grossklaus and Litany, James Israel, Pat Grizzell, Steve Bird and Ken on mandolin, Lawrence Dinkins, Mario Ellis Hill and (do i have this right?) the Dread-i Knights, Jackson Griffith, Anna, Vincent and company, Mike and Jennifer, and a great crowd - all i can say is bravo - and let's do it again!

Now accepting submissions for next Tule Review

Call for Submissions!

The Sacramento Poetry Center welcomes submissions for the winter Tule Review— now 50-60 pages and perfect bound — with an anticipated publication date for January 2011. We consider poetry of all styles and forms from both local and far-flung places as long as the poems are strong and well crafted.

Submission Deadline: September 15, 2010
Please note: As of June 16, 2010, we have changed our submission guidelines.

New Submission Guidelines: Please click on the link below:

http://www.sacramentopoetrycenter.org/tulereview.htm

Tule Review Reading August 2

Celebrate Sacramento Poetry Center’s
Summer 2010 Tule Review !

Poetry Reading on Monday, August 2, 7:30 p.m.

Fourteen of 38 contributors from California and beyond will read from the new Tule Review, edited by Linda Collins and Theresa McCourt.

Host: Bob Stanley, Sacramento’s Poet Laureate

Copies of the summer Tule Review (perfect bound) on sale after reading for $10

1719 25th Street
Sacramento, CA 95816
(Between R and Q streets)

SPC Website:
http://www.sacramentopoetrycenter.org/

Tiger's Eye and more

Great Reading at SPC July 12 - thanks to Tiger's Eye editors Colette and JoAn, and all the readers who traveled from far-off lands like Eugene and Modesto! And thanks to all of you in the crowd - it's heartening to see forty in the audience for poetry on a cool July evening.

Don't forget BL Kennedy and Charlene Ungstad read this Wednesday at 7pm at Beatnik Studios - 17th and Broadway. $3 at the door.

And, if you like to run and raise money for local arts organizations (subliminal message - think SPC) sign up to run and get pledges for Race For the Arts - August 28 at 8:30 am.
Surely there are poets who can run 5 kilometers!

Thanks to all who attended the reading for Quinton Duval last week.
We got a lovely note/poem from Alfred Guajardo, who read there, having
dropped in for the first time:

"Sacramento Poetry Center"

Sophistication in the air
I know I was there
Not even a mumble
Afraid I'd stumble
Introduced I felt comfort and loose
I then felt I could have
Delivered a Golden Goose

Thanks, Alfred, for sharing - see you again soon.

poetry this week

Wednesday, July 14 - new series - BL Kennedy and Charlene Ungstad read
at Beatnik Studios - 17th and Broadway. Genelle Chaconas hosts. $3 at the door. Come and help support poetry at this exciting new venue!

Thursday, July 15 - Brown Bag Lunch Series. Noon at Central Library - 828 I Street. (Theme: Independence)
Bring a poem or short piece to share (by a writer other than yourself) which explores or celebrates some aspect of “independence,” metaphorically as well as literally.

July 12
Poets featured in the new edition of Tiger's Eye Literary Journal will read at SPC -
Monday night at 7:30. Come celebrate the new edition of Tiger's Eye!

Poetry Now - July/August 2010

Open publication - Free publishing - More sacramento

Poetry Now

Poetry Now is on its way to the printer. This issue is a special issue featuring many tributes to Quinton Duval. Files have been emailed to contributors, board members, and others. If we do not have your email address, please forward it to us so that you'll receive a full-color, PDF version of Poetry Now before the printed, black and white copies arrive.

Trina

Keely Dorran Reading - June 22, 2010

Please note:

The Keely Dorran reading in honor of Summer Solstice has been moved to the SPC location at 25th and R due to technical difficulties. The reading tonight will not be held at Fremont Park. I hope to see you all at 25th & R.

Trina

June News and Musings

ZML was both intense and delightful on Monday - thanks to Sandra, Maggie, Emily and all.
Keep wringing the truth from the word!

Recent news - we are excited that Indigo Moor has agreed to judge SPC's individual poem contest! Send your poems in now - deadline is July 15th.

July 7 - A full night ahead.
6pm at the Sacramento Room we'll honor Quinton Duval - make sure you get your copy of the July/August Poetry Now which has a number of tributes to Q.
7pm at the Book Collector: Jose Montoya with accompaniment by Esteban Villa.
Not sure how I'm going to get to both, but I'll try. Hermione?

A new local poetry series begins next month - Genelle Chaconas will begin hosting at Beatnik Studios (17th and Brodadway) on July 14th - check out this exciting event - details to follow.

Remember - next Monday June 21 - Poetry in the Park - Fremont Park, not 25th and R!
Keely Dorran features!

And Stories on Stage is coming again soon - Friday, June 25th. Fiction the way it was meant to be heard! Dorine Jeannette hosts.

Zen Marxist Launderettes

Monday Nights at the Poetry Center
featuring
Mira Kores, Emily Wright, Sandra Senne, Laura Ann Walton
Monday, June 14, 2010 at 7:30 PM
R25: An Intersection of Arts — 1719 25th Street
Host: Emmanuel Sigauke
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The Zen Marxist Launderettes is a writing group that formed seven years ago in Sacramento. A newly completed anthology of writing entitled Wring has been released with contributions by current members (Margaret S. Burns, Erin Exstrom, Ellen Johnson, Mira Kores, Cecile Martin, Carolyn Schneider, Sandra Senne, Laura Ann Walton and Emily Wright).
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Mira Kores has been writing poetry off and on since college. That was, of course, in the last century. Turning 80 was a bit of a shock but as luck would have it she then got published in a respectable literary magazine.
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Emily Wright has published poetry and prose in Quercus, Pinchpenny, Phantasm, The Suttertown News, and Pacific News Service newspapers. A co-founder of La Semilla Cultural Center in Sacramento, CA, she was also a co-founder of the Sacramento Labor Chorus. She has found meaning in work as a nurse's aide, air-photo interpreter, violinist, historian of Central America, and psychotherapist for children and their families. Her long narrative poem, "Love's Laundry" received its first complete public reading in September, 2008.
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Despite her B.S. In physics and M.A. In sociology, Sandra Senne has found literature, art and music to be the loves of her life. She believes that reading and writing have possibly saved her life as they led her into territory otherwise unknown.
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Laura Ann Walton has worked on a Master's Degree in creative writing, became the founding Director of Mary House of Loaves and Fishes and went on to found the Women's Wisdom Project, an arts empowerment program for disadvantaged women. At long last in her sixth decade, she is focusing on her own work, writing poems and creating collages.

Poetry Now - May/June 2010

We're testing a new way to present the Poetry Center's Poetry Now and other publications digitally. Please take a look and leave a comment to tell us what you think. Thanks!

Open publication - Free publishing - More sacramento

Brave New Voices SAYS Fundraiser - June 18, 2010

On June 18, please join others at Sacramento High School (6-8 p.m.) to raise funds to send students to the Brave New Voices finals in L.A. in July. Two students are finalists. There will be spoken word by other students who will accompany the finalists and support them during the competition. The event costs $4 - $6, and children are free. Special performance by E-Legal Tag Team. Please help spread the word about this youth poetry fundraiser. They need to raise $1200 to send the 3 additional students.

First Wednesday at the Library - June 2, 2010

Tomorrow is the First Wednesday reading at the Central Library from 6 - 7:30 p.m. Featured readers are: Paco Marquez, Sue Thomas, Trina Drotar, and Sandy Thomas. Bob Stanley hosts. Open mic to follow.

Thanks to Frank Dixon Graham for Hosting the Poetry Bomb

Frank hosted this wonderful event, and as you can see from the photos he posted, it was a lot of fun and featured a lot of voices.

Below are the people featured in the photos.

S.A. Griffin taking poems from the bomb
S.A. Griffin at the bomb
Allegra Silberstein reading
Strider the Shadow Maker reading
B.L. Kennedy reading
Robert Roden reading
Genelle Chaconas reading

Great photos Frank!!

Arrival of the Poetry Bomb - May 31, 2010

The Poetry Bomb has arrived. In the photo are (left to right) Bill Drotar, Ray Tatar, the bomb, and S.A. Griffin (who looked considerably different for the show).